
Why I only photograph in cloudy weather
Friday 14 February 2025, 15:51 by Elvira Smit | 2,503 views | 2 commentsThis article was translated from Dutch with the help of AI. Read the original.
It happens almost every week: someone tells me I take such bleak photos. Why don't I choose a sunny day for once to capture things? Well, let me answer that.
In my photography projects, I put everyday urban development centre stage. For example, with my project about siren poles in the Netherlands. For me, these poles are a great hook for showing what the Netherlands looks like in random places. I seek out the poles and photograph the surroundings they are in.
Even light
My aim with this series is for you to look attentively at the, usually very ordinary, built environment. If I could put that environment in a photo studio, I would choose flat, even light: that way, all the details get equal attention. I would never choose one bright spotlight.
The sun is one bright spotlight.
In a photo where the light comes from one angle, you get a high-contrast image with strong shadows and brightly lit areas.
In the photo below, for example, the pavement in the bottom left draws attention because it is much lighter than the rest. Then the plants on the wall and, eventually, the vapour trail in the top right.

Those are three subjects I do not want to put in the spotlight at all. So I later returned to the same place, but on a reasonably cloudy day. Then I got this:

I think this is a much more pleasant and even image that fits the aim of my project: drawing attention to the everyday surroundings.
Consistency in my project
Another reason to choose one type of weather is visual consistency. By fixing a few parameters, such as focal length, viewpoint and weather type, you get a consistent visual language and a project 'feels' like a cohesive whole.
I also think about the composition. Each time, I look for an image with something to see in the foreground, middle ground and background.
In the photo, I try to fill those three areas of the image. With a street pattern, a little café and, right at the back, the siren pole.

Here is another example. Although the siren pole stands out much less there and requires a bit more searching. But that is fine, because as I said, what matters to me is the street and the built environment.


About the author
Ik heb een eigen fotografieblog, Kronkeling. Daar schrijf ik om de week twee artikelen. Over hoe je je blik kunt scherpen, je creativiteit kunt aanwakkeren, en over fotografen die mij inspireren. Geen technische zaken, wél over hoe je leert kijken. En dat blijkt nog een hele klus. Een mooi startpunt zijn de Kronkeltips, die vind je hier.
You might also like
-
Inspiration: Portraits in the Studioby Elja Trum
-
Too perfect to be trueby Michiel Heijmans
-
Make clouds soft and fluffy, not hard and harshby Nando Harmsen
-
Better Outdoor Portraits With a Flashby Elja Trum
-
Away from the Open Spaceby Michiel Heijmans
-
The Fear of Cancellationby Michiel Heijmans
2 comments
-

PvRFotografie
wrote on Wednesday 19 February 2025 at 10:14
| reply
Duidelijke uitleg, ik vind het in ieder geval geen troosteloze foto's. Er is heel veel te ontdekken. Zeker de eerste twee fotos zijn meteen een leuk zoekplaatje. Er zijn wat zaken veranderd in de tussentijd. Zoek de verschillen.
This comment was written in another language and has not been translated yet. -

Elvira Smit
wrote on Wednesday 19 February 2025 at 16:33
| reply
@PvRFotografie: Leuk om te horen! En inderdaad: als je goed kijkt, vallen er best wat verschillen te ontdekken
This comment was written in another language and has not been translated yet.
Have your say
Please note: Articles older than a week can only be commented on by signed-in visitors.Would you still like to comment? sign in or create a free account.

Elja Trum

