Nando Harmsen

10 Mistakes When Creating a Composition

Monday 21 September 2026, 20:02 by | 52 views | 0 comments

This article was translated from Dutch with the help of AI. Read the original.

A good composition is and remains difficult. There are plenty of tips and pieces of advice. Despite that, things can still go wrong. The ten mistakes in this article make you aware of the pitfalls, so you can avoid them.

Mistake 1: Not choosing a subject


The photo needs a focal point. This is the basis of a composition. Without a clear subject, there is nothing to look at. Make sure you show something in your photo.

A subject gives you something to look at - f/8, 1/800s, 200 ISO @ 12mm

A subject gives you something to look at - f/8, 1/800s, 200 ISO @ 12mm


Mistake 2: Ignoring the background


Pay attention to what can be seen in the background. Are there distracting things in the frame? Does it feel cluttered? The background is just as important as the subject you are photographing.

Always look at the background. Make sure it works - f/2, 1/3200s, 100 ISO @ 150mm

Always look at the background. Make sure it works - f/2, 1/3200s, 100 ISO @ 150mm


Change your position, perspective, depth of field and focal length until the background is no longer distracting. It should add something.

Mistake 3: An uninteresting foreground


Including a foreground in the frame can create a pleasing sense of depth. But the foreground must be worth including. Don't use a foreground because you think you have to.

Make sure the foreground is attractive and adds something - f/11, 1/640s, 200 ISO @ 50mm

Make sure the foreground is attractive and adds something - f/11, 1/640s, 200 ISO @ 50mm


Choose something attractive in the foreground. Something that adds value. It should fit into the whole and be part of the complete image. If this isn't possible, leave out the foreground.

Mistake 4: Sticking to the rules


There are many rules that tell you how a composition 'should' be arranged. Don't rigidly stick to those rules. A rule doesn't always fit. Sticking to it can have the opposite effect.

Simply in the centre of the frame. That gives the best feeling for this photo - f/2.8, 1/15s, 3200 ISO @ 15mm

Simply in the centre of the frame. That gives the best feeling for this photo - f/2.8, 1/15s, 3200 ISO @ 15mm


Let go of the rules more often. That gives you freedom and is less restrictive. But be careful, don't obsessively 'break' rules either. That is just as restrictive as rigidly sticking to them.

Mistake 5: Repairing it in post-processing


Never assume that a photo can be repaired in post-processing. A poor composition in particular is final. No edit can correct it. You can only crop it a little.

You can't repair a poor composition in post-processing  - f/9, 1/1000s, 200 ISO @ 39mm

You can't repair a poor composition in post-processing - f/9, 1/1000s, 200 ISO @ 39mm


Also don't try to save a composition by turning it into a black-and-white photo. A poor composition stands out even more in black and white. Editing is about optimising, never saving.

Mistake 6: Taking a photo without thinking


Avoid taking a photo straight away. First look at everything that can be seen. Decide what you want in the frame. Make choices. Besides, the place where you are standing is rarely the best place.

Think about how you show something in the frame - f/8, 1/60s, 800 ISO @ 363mm

Think about how you show something in the frame - f/8, 1/60s, 800 ISO @ 363mm


Look around, walk around, play with perspective and try out different viewpoints. Only then will you find the best place to take a photo. It may even produce several compositions.

Mistake 7: Always wanting to include everything


It is easy to simply include as much as possible in the frame. Use as much wide angle as possible, or even take a panorama. The result is rarely worth it, apart from a quick snap.

Simply including everything in the frame rarely works - f/9, 1/200s, 100 ISO @ 24mm

Simply including everything in the frame rarely works - f/9, 1/200s, 100 ISO @ 24mm


Including everything in the frame usually means doing nothing more than avoiding making choices. Details get lost because everything is shown small. Do you want to include everything? Spread it across several photos.

Mistake 8: Creating a frame that is too tight


It is important not to include too much in the frame. You frame the subject neatly so that only what you want is included. But be careful not to make the frame too tight. Leave yourself some room to manoeuvre.

A little room to tilt is sometimes needed- f/1.4, 1/400s, 50 ISO @ 85mm

A little room to tilt is sometimes needed- f/1.4, 1/400s, 50 ISO @ 85mm


A frame that is too tight can sometimes make small corrections impossible. Correcting a crooked horizon in particular requires some extra image area. It also gives you room to refine the frame in post-processing.

Mistake 9: Ignoring your feelings


Despite all the composition rules that tell you what to pay attention to, there is one rule you must not forget. Let your feelings play a part when creating that composition.

Listen to your feelings. - f/8, 1/60s, 200 ISO @ 41mm

Listen to your feelings. - f/8, 1/60s, 200 ISO @ 41mm


If a photo is pleasant to look at and gives you a good feeling, the composition will be good too. But be critical. Is there something undermining that good feeling? Then something is wrong with the composition.

Mistake 10: Looking too critically


Be careful when composing a photo. You need to be critical and pay attention to many things. But don't be too critical either. The danger is that you end up not taking a photo too often.

If you are too critical, you sometimes miss special moments - f/9, 1/125s, 160 ISO @ 24mm

If you are too critical, you sometimes miss special moments - f/9, 1/125s, 160 ISO @ 24mm


In conclusion


Creating a composition is a fun and creative process. Don't be afraid of it. Don't let self-imposed rules hold you back either. Photograph without worry and enjoy it. The rest will follow naturally.

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Nando Harmsen

About the author

Nando Harmsen has been photographing for more than 40 years. He specialises in wedding photography and landscape photography. Nando also gives talks, workshops, masterclasses and photo trips, and regularly reviews new and interesting equipment.

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