
9 Tips for Using an On-Camera Flash
Monday 12 October 2026, 16:16 by Nando Harmsen | 111 views | 0 commentsThis article was translated from Dutch with the help of AI. Read the original.
Using an on-camera flash properly can greatly improve the quality of the light. Using it badly will ruin the photo. These nine tips will help you achieve the best possible results.
Many people hate on-camera flashes because they do not produce attractive photos. Do you have that problem? Then you are not using the flash and camera settings properly. You need to learn how to work with it.
With a few tips, you can achieve good results too. Good enough that the photo does not show that a flash was used. So do not let it put you off, and use your on-camera flash when the situation calls for it.
Tip 1 - Set the exposure for the surroundings
Flash is used for the subject. The surroundings are never lit by the flash. Set your aperture, shutter speed and ISO value for a correct exposure of the surroundings.
You can underexpose by one or two stops if necessary, so that the ambient light becomes less dominant. Do not be afraid of a high ISO value, and make sure the shutter speed stays below the flash sync speed.
Is the exposure of the surroundings set correctly? Then add flash.
Tip 2 - Use M mode
Always use manual exposure on the camera. Indoors, the ambient light is constant, so setting it once is enough. If necessary, take a test photo without flash first.
Manual exposure ensures that the exposure setting does not unintentionally react to light or dark areas in the background. This gives you full control over how the ambient light is rendered.
Tip 3 - Use TTL
Because the flash is mounted on the camera, the distance between the subject and the camera will constantly change. The flash power needs to be set again for every new photo. Let the camera do this for you.
With TTL, the camera recalculates the required flash power for every photo. It then sets it for you. This keeps you flexible and lets you respond quickly.
Setting the flash power manually only makes sense if the distance between the flash and the subject remains constant. Do this when using a separate, wirelessly controlled flash.
Tip 4 - Bounce the flash
Direct flash produces flat light. There are no shadows, so depth is lost. By bouncing the flash, you make the light come from another direction. This creates shadows.
Turn the flash head to the left, right or diagonally upwards. This makes the light reflect back from a large surface and illuminate the subject naturally.
Tip 5 - Avoid bouncing the flash off the ceiling
Firing the flash straight upwards, via the ceiling, is best avoided. When the light comes straight from above, it creates shadows in the eye sockets, under the nose and under the chin.
It is better to set the flash to 45 degrees, so that there is also some direct light to lift those shadows. If you can bounce the flash to the left or right, that is always preferable.
Tip 6 - Flag the flash
By preventing direct light from the flash, you ensure that the light reaches the subject indirectly only. There is then no direct light left. This is called flagging the flash.
Bounce the flash indirectly from the left or right and use a flag. This makes the flash look like normal light coming through a window. Is this possible? Use it.
Tip 7 - Use flash exposure compensation
TTL flash uses the camera's exposure meter. As you know, it sometimes gets things wrong. If that happens, the flash photo will be too dark or too light. You need to compensate for the flash.
You do this not with the camera's exposure, but with flash exposure compensation. This is abbreviated to FEV. You can then make the flash give one or more stops more or less light.
Tip 8 - Use direct flash as fill flash
Can you not bounce the flash? Then you can use direct flash instead. Make sure the camera exposure is set correctly for the ambient light. The flash then becomes a fill flash.
Fill flash lifts the shadows created by the ambient light. It is often necessary to use slightly less flash by applying flash exposure compensation.
Tip 9 - Forget all those expensive flash accessories
There are many different types and shapes of flash accessories. They promise perfect results. Often, they all do just one thing. They spread light in all directions.
The disadvantage is the loss of flash power. Light is also scattered in directions that are of no use to you. Their effect is often limited to small spaces with low ceilings.
Avoid the trap of buying all those accessories and learn how to use flash. When you use flash, make sure you have a flag. That is the only accessory you really need.

About the author
Nando Harmsen has been photographing for more than 40 years. He specialises in wedding photography and landscape photography. Nando also gives talks, workshops, masterclasses and photo trips, and regularly reviews new and interesting equipment.
You might also like
-
Which is best: a ball head or a 3-way headby Nando Harmsen
-
Street photography tip: Embrace the shadowby Michiel Heijmans
-
Setting up a ball headby Nando Harmsen
-
Adjusting a gimbal headby Nando Harmsen
-
Review: Sirui L324F with KS-G3 geared tripod headby Nando Harmsen
0 comments
Be the first to share what you think!
Become a better photographer every week
A practical photography tip in your inbox every week.
39,077 photography enthusiasts already receive the tips! More about the weekly mail. Or keep up to date via
Facebook.

Elja Trum












