Nando Harmsen

Choose white balance to suit your taste and create the right mood

Monday 13 May 2024, 16:32 by | 3,897 views | 9 comments

This article was translated from Dutch with the help of AI. Read the original.

White balance allows you to get white to actually appear white in your photo. That does not guarantee the right colour temperature, though. Sometimes it produces an incorrect image that distorts reality. Sometimes you need to deliberately deviate.

You know the examples, where you can see the differences between the white balance settings. Comparisons like these are not much use. You should see this under different lighting conditions.

Nando white balance choice 2

Comparison of white balance settings in daylight. It is not much use, but it looks nice.

The camera's auto white balance setting (AWB) measures the colour temperature of the situation. The camera then sets the white balance automatically so that white is shown as white. The question is, does that always have to happen?

Nando white balance choice

Auto white balance chooses the most neutral display possible, but that is not always the best choice. Naturally, taste plays an important role.

A calculated white balance setting does not take mood into account. It is a cold, impersonal calculation of the 'correct' value. That can actually destroy the mood.

It is better to choose a colour temperature yourself that properly conveys the mood of the moment. You can go to extremes if you want, as long as this does not produce an overly artificial image. The colour you choose gives the photo the look you like.

Nando white balance choice 3

Different colour temperatures create a different mood. It looks strange when you see them next to each other, but individually it is no longer noticeable that the mood has been adjusted.

Do not be afraid to deviate from the white balance, and choose a colour temperature to suit your own taste. Sometimes the adjustment is subtle, sometimes more extreme. It is a personal choice, so stand by your choice.

Nando fallow deer in warm light

A fallow deer in silhouette. It is a wonderfully atmospheric photo, exactly what I want to show.

These days, many manufacturers offer an auto white balance that takes mood into account. That helps with the end result, but it remains an approximation. If you are happy with it, that is fine too.

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Nando Harmsen

About the author

Nando Harmsen has been photographing for more than 40 years. He specialises in wedding photography and landscape photography. Nando also gives talks, workshops, masterclasses and photo trips, and regularly reviews new and interesting equipment.

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9 comments

  1. Donald Willemsen
    Donald Willemsen wrote on Monday 13 May 2024 at 17:37  | reply

    Nando, in this article you mainly write about deliberately setting a different white balance than AWB. I also consider atmosphere in a photo important. Yet I always leave the setting on AWB. Later in post-processing I adjust the white balance to my own taste to match the atmosphere I sensed while taking the photos.

    Translated from Dutch.
  2. Nando
    Profile Nando wrote on Wednesday 15 May 2024 at 09:22  | reply

    For the RAW photographer, the white balance setting doesn't matter. But it is a workflow that saves me a lot of work in post-processing. A fixed value that is the same for every photo works more comfortably and quickly than a series of photos that each have a different white balance. Because that's what AWB does.

    Translated from Dutch.
  3. PixelDude
    PixelDude wrote on Tuesday 14 May 2024 at 11:29  | reply

    @Donald,
    I do too. Perhaps because we both shoot in RAW. For jepg photography it can be important.

    Translated from Dutch.
  4. Roland
    Roland wrote on Tuesday 14 May 2024 at 11:35  | reply

    I completely agree with Donald's opinion. Shooting RAW is the way to go. Only for a series of flash shots do I use the fixed flash setting to get closer to the target in terms of settings.

    Translated from Dutch.
  5. Paul van Aken
    Paul van Aken wrote on Tuesday 14 May 2024 at 12:25  | reply

    I agree with Donald.
    In post-processing, you can see much better what happens when you start adjusting the white balance.
    The steps on the camera are fairly coarse, and choosing a numerical value yourself.....

    Translated from Dutch.
  6. PixelDude
    PixelDude wrote on Wednesday 15 May 2024 at 09:30  | reply

    @ Nando,
    I think this is more an observation from a wedding photographer who takes large series of the same subject, the wedding, rather than from nature and landscape photographers who shoot RAW.
    And as Roland also wrote, only when using flash (which I do very exceptionally) will I choose the flash setting as WB.
    But as a nature and landscape photographer I will probably never deviate from AWB.

    Translated from Dutch.
  7. Nando
    Profile Nando wrote on Wednesday 15 May 2024 at 09:39  | reply

    I do this with landscape and nature photography too. And I do it very consciously.
    The light changes throughout the day. Daylight, blue hour, golden hour... I want to see this characteristic light color reflected. I don't want the camera to see that color as a color cast and start correcting the white balance for it.
    It makes it easier in post-processing to create a consistent series of photos from a particular time of day.
    Of course, it's a personal preference.

    Translated from Dutch.
  8. Donald Willemsen
    Donald Willemsen wrote on Wednesday 15 May 2024 at 14:25  | reply

    Nando, if you want to do it perfectly, you'll need a color temperature light meter as well. That will cost you several thousand euros. So setting your camera to a particular color temperature is only approximate too.

    Translated from Dutch.
  9. Nando
    Profile Nando wrote on Wednesday 15 May 2024 at 14:28  | reply

    It's not about wanting to do it perfectly. Just read the title again.
    It's also not important whether you do this in camera or afterwards. That's only important for the JPEG photographer.

    Translated from Dutch.

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