Nando Harmsen

Why the crop factor also affects depth of field

Monday 20 June 2022, 20:40 by | 6,238 views | 7 comments

This article was translated from Dutch with the help of AI. Read the original.

A crop sensor is simply a sensor with a smaller surface area than a full-frame sensor. You should not look for more behind it than that.

The consequence is that you do not use the full angle of view of your lens. That indirectly happens to be the reason why depth of field is different with a crop sensor. I explain it in this article.

There is quite a lot of confusion about the influence of a crop sensor on depth of field. Some say it has an influence, others do not. Open the first DoF calculator you find and you will see the depth of field change when you switch from a full-frame sensor to a crop sensor.

Nando dof full-frame vs crop 85mm

A crop sensor is simply a smaller sensor that captures a smaller part of the image. If a full-frame sensor captures the large photo, a 1.6x crop sensor will capture only the part outlined in red.

The result from a DoF calculator seems like proof enough, does it not? Yet it is not that simple. Yes, the depth of field changes, but for different reasons than you might think. The reason is that the wrong starting point is often used.

Switching between full-frame and crop


What happens when you switch between a full-frame sensor and a crop sensor? The angle of view changes. In other words, the image captured by a crop sensor corresponds to a longer focal length on a full-frame sensor.

Nando dof full-frame 85mm

The image from 85mm on a full-frame camera, with f/5.6 and at a distance of 4 metres.

To show this in numbers. An 85mm lens on a crop sensor that is 1.6x smaller produces the same image as a 136mm lens on full-frame (85 x 1.6). We all know that, right?

Of course, we have to view both photos at the same dimensions, for example full screen on a Full HD display or as a photo print.

Nando dof crop 85mm

The image from 85mm on a 1.6x crop camera, with f/5.6 and at a distance of 4 metres. Because the sensor is smaller, the angle of view is smaller and the subject is shown 1.6x larger. Compare this with the previous photo.

Keep the subject the same size in the frame


Let us look at it from a different perspective. The subject photographed with 85mm on a crop camera is shown 1.6x larger than with 85mm on a full-frame camera. So you get a very different shot.

If you want the subject to be the same size in the frame with the crop camera as with the full-frame camera, you can do two things. You can make the distance 1.6x greater, or choose a shorter focal length. In this example, that is 50mm (85 / 1.6, rounded to 50mm).

Nando dof crop 50mm

By reducing the focal length by (approximately) 1.6x to 50mm, the subject is the same size in the frame with a 1.6x crop camera as with 85mm on full-frame. The distance remains 4 metres, the aperture is f/5.6

Now something remarkable happens. In the first case, the distance becomes greater, which makes the depth of field smaller. In the second case, the focal length becomes shorter, which also makes the depth of field smaller.

A crop factor only indirectly affects depth of field


In short, the smaller depth of field that results from photographing your subject with a camera with a crop sensor is caused by either having to stand further away with the same focal length, or using a shorter focal length.

So the depth of field is caused indirectly by the crop sensor.

Nando dof crop 50mm full-frame 85mm

The difference between a full-frame sensor and 85mm on the left, and a 1.6x crop sensor and 50mm on the right. Both were photographed from a distance of 4 metres and at f/5.6. The difference is not caused by the crop sensor, but by the difference in focal length.

What if you crop the full-frame image?


To complete the story, as it were, we can compare the depth of field between a crop sensor and a full-frame sensor.

We keep the focal length, distance and aperture the same. However, we do crop the full-frame photo until the subject is the same size as with the crop sensor. You will see that there is no difference in depth of field.

Nando dof 85mm difference

When I digitally crop the photo taken at 85mm on full-frame to the same magnification as with 85mm on the 1.6x crop camera, you can see that the depth of field is the same at the same distance from the subject and with the same aperture. Can you tell which one was photographed with the crop sensor, and which one was digitally cropped from a full-frame image?

Conclusion


The crop sensor has no direct influence on depth of field. The influence is indirect, because we have to use a shorter focal length or a greater distance to keep the subject the same size in the frame.

If we keep the focal length, distance and aperture the same, there is no difference at all in depth of field.

Share: WhatsApp Facebook
Nando Harmsen

About the author

Nando Harmsen has been photographing for more than 40 years. He specialises in wedding photography and landscape photography. Nando also gives talks, workshops, masterclasses and photo trips, and regularly reviews new and interesting equipment.

Show every article in Basics

7 comments

  1. Donald Willemsen
    Profile Donald Willemsen wrote on Tuesday 21 June 2022 at 10:48  | reply

    Interesting story, but I did notice something that, in my view, makes the story somewhat shaky.
    At the last 2 photos just above the conclusion, there are clear differences. If we look at the lower part of the lamp, we can see more yellow from the background to the right of it in one photo than in the other. In my view, the digital crop of the full-frame is not the same as the crop sensor. Another possible cause could be that the lamp is not hanging in exactly the same place in relation to the background. The two photos are not exactly the same in terms of framing.

    Translated from Dutch.
  2. Dies Groot
    Profile Dies Groot wrote on Tuesday 21 June 2022 at 11:00  | reply

    With this aperture, these sensor sizes and these results, I do have my doubts whether this really was exactly 4 meters away and not a bit closer after all ...?

    Translated from Dutch.
  3. Nando
    Profile Nando wrote on Tuesday 21 June 2022 at 11:44  | reply

    @Donald Willemsen:
    The photos were all taken handheld, not from a tripod. That simply means there are some small differences in composition

    Translated from Dutch.
  4. Nando
    Profile Nando wrote on Tuesday 21 June 2022 at 11:46  | reply

    @Dies Groot:
    It probably isn't exactly 4 meters. About that, though. I didn't keep a tape measure next to it.

    Translated from Dutch.
  5. Matt
    Matt wrote on Tuesday 21 June 2022 at 16:59  | reply

    Another approach, besides equivalent focal length, is also an equivalent aperture.

    So if you photograph at 85mm, F/5.6 on full frame, use 50mm, F/3.5 on APS-C. Then you also get an identical photo in terms of depth of field.

    Translated from Dutch.
  6. Peter Van Himste
    Peter Van Himste wrote on Tuesday 21 June 2022 at 17:59  | reply

    You could do a similar story about aperture: why an f/2.8 lens on a crop camera isn't simply a full-frame f/4 lens. There's also often a lot of confusion about that.

    Translated from Dutch.
  7. Jos
    Jos wrote on Tuesday 21 June 2022 at 21:55  | reply

    At the time I made a comparison with a Canon 5D and an Olympus E-5. I used the same lens for both cameras: a 50mm f/1.4 Zuiko (OM system).
    To get the subject the same size on both sensors, I therefore had to stand at a greater distance with the Olympus, which resulted in a greater depth of field. This of course with the same aperture (f/5.6).
    Just this: as we get closer to our subject, the depth of field becomes smaller. This applies to every lens. The depth of field also does not depend on the focal length, but on the effective lens diameter.
    Thus, a 50 mm f/4 (= diameter 12.5mm) will produce the same depth of field as a 200 mm at f/16. Of course, the distance should then also be the same, because as stated, that also affects the DOF.

    Translated from Dutch.

Have your say

Please note: Articles older than a week can only be commented on by signed-in visitors.
Would you still like to comment? sign in or create a free account.

Become a better photographer every week

A practical photography tip in your inbox every week.
39,079 photography enthusiasts already receive the tips! More about the weekly mail. Or keep up to date via Facebook. Sign-up secured with Google reCaptcha.

Elja Trum

Elja Trum

Photofacts; everything to do with photography!

Would you like to take better photos and keep up with what is happening in photography? Photofacts publishes articles that teach you something about photography — from a product announcement to a practical shooting tip or a look at a website. Photofacts covers photography every day and is a hobby project of Elja Trum's that got out of hand. The articles are written by a team of volunteer authors. If you would enjoy writing one or more articles for Photofacts, do get in touch.More about Photofacts

Photofacts is made possible in part by


We use cookies to make Photofacts work properly. Read our cookie policy. got it