Nando Harmsen

Making a Solar Eclipse Collage in Photoshop

Saturday 29 August 2026, 23:23 by | 117 views | 0 comments

This article was translated from Dutch with the help of AI. Read the original.

I was asked to show how I make a solar eclipse collage in Photoshop. I show you how in this article. I use my photos of the 2026 total solar eclipse as an example. Making a successful collage requires photos of the eclipse and a photo of the landscape. It is also good practice to keep reality in mind as much as possible.

A compilation of the solar eclipse in Aguilar de Campoo, Spain

A compilation of the solar eclipse in Aguilar de Campoo, Spain

That means no strange line through the eclipse. Make sure the sequence follows the actual path of the sun as closely as possible. You can deviate from this, of course, for artistic reasons. The right software is essential. You need to use Photoshop or Affinity. In these programmes, you can work with layers and blending modes. In this article, I assume you have sufficient knowledge of one of these programmes.

The eclipse photos

First, you of course need photos of the solar eclipse. You need to have the eclipsed solar disc clearly in the frame. This requires photographing with a telephoto lens and through a solar filter.

The selected and edited photos of the solar eclipse, taken with a solar filter, except during totality, when no filter was used, and 400mm on an MFT camera, with a 2x crop factor

The selected and edited photos of the solar eclipse, taken with a solar filter, except during totality, when no filter was used, and 400mm on an MFT camera, with a 2x crop factor

In these photos, you see the sun against a black background. Only the solar disc is visible. Edit these photos so that the solar disc is as bright as possible, almost white. Avoid underexposure.

The landscape photo

Next, you need a photo of the surroundings, without a solar filter. Preferably one taken when the sun was at maximum eclipse. This photo should also be edited properly.

A photo of the landscape during totality. This will be the base photo.

A photo of the landscape during totality. This will be the base photo.

Make sure the sky is not too bright. Avoid a dull sky, which can quickly happen if you underexpose too much or adjust the contrast excessively.  Is the sun a spot that is too bright? Remove it. You end up with a sky without a sun. This is not always necessary and depends on the appearance of the photo and your preferences.

To make the compilation easier, the sun and band of clouds were removed in Photoshop. Use your favourite removal tools.

To make the compilation easier, the sun and band of clouds were removed in Photoshop. Use your favourite removal tools.

Position the separate photos

Now it all comes together. Place all the separate eclipse photos as layers on the landscape photo. Adjust the size of these layers until the sun has a realistic or slightly larger diameter.

Place all the eclipse photos as layers on the base photo and adjust the size of the solar disc to your liking.

Place all the eclipse photos as layers on the base photo and adjust the size of the solar disc to your liking.

Set the blending mode of these layers to 'lighten'. This shows only the lightest pixels. Then neatly arrange all the individual layers along the curve made by the sun in the sky. 

Set the blending mode to lighten and move the individual layers until you achieve a realistic path of the sun's movement. Make sure the totality is above the reflection in the water.

Set the blending mode to lighten and move the individual layers until you achieve a realistic path of the sun's movement. Make sure the totality is above the reflection in the water.

The final fine-tuning

As a final step, you can refine the brightness of the photo further. Particularly that of the sky. You can do this on the final result, but also on the background alone. The choice is yours.

Check all the layers carefully and remove distracting elements or make adjustments where necessary. Be precise here and take your time.

Check all the layers carefully and remove distracting elements or make adjustments where necessary. Be precise here and take your time.

The eclipse compilation is then finished. Do keep in mind that its success depends on the photos. Were there clouds in the frame? Then it can become more difficult. Or even very difficult. Would you like to know how to work with layers in Photoshop or Affinity? Then I recommend learning more about this software. You can do that through the courses at Photofacts Academy, of course.

Share: WhatsApp Facebook
Nando Harmsen

About the author

Nando Harmsen has been photographing for more than 40 years. He specialises in wedding photography and landscape photography. Nando also gives talks, workshops, masterclasses and photo trips, and regularly reviews new and interesting equipment.

Show every article in Tutorials

0 comments

    There are no comments on this article yet.
    Be the first to share what you think!

Have your say

🙂
😀 😂 🙂 😉 😊 😍 🤩 😎 🤔 😢 😮 😡 👍 👎 👏 🙌 🙏 💪 ❤️ 🔥 🎉 💯 👌 📷 📸 🌅 🌇 🌈 ☀️ 🌙
Read our comment policy.

Elja Trum

Elja Trum

Photofacts; everything to do with photography!

Would you like to take better photos and keep up with what is happening in photography? Photofacts publishes articles that teach you something about photography — from a product announcement to a practical shooting tip or a look at a website. Photofacts covers photography every day and is a hobby project of Elja Trum's that got out of hand. The articles are written by a team of volunteer authors. If you would enjoy writing one or more articles for Photofacts, do get in touch.More about Photofacts

Photofacts is made possible in part by


We use cookies to make Photofacts work properly. Read our cookie policy. got it